Grace Jones was one of the more unforgettable characters to emerge from New York City's hedonistic Studio 54 disco scene during the late '70s. Born May 19, 1952, in Kingston, Jamaica, Jones studied theater at Syracuse University before launching a career as a model. Jones' statuesque and flamboyant look proved to be a hit in the New York City nightclub scene, which led to a recording contract with Island Records in 1977.
...with the dawn of the '80s came a massive anti-disco movement across the U.S., leading to Jones focusing on more new wave and experimental-based work resulting in two of her best-known and strongest releases -- 1980's Warm Leatherette and 1981's Nightclubbing -- both produced by the noted reggae team of Sly & Robbie (the latter release spawned one of Jones' biggest hits, "Pull Up to the Bumper," as well as covers of Iggy Pop's "Nightclubbing" and the Police's "Demolition Man"). It was also around this time that Jones changed her look to suit the times by replacing her S&M look of the '70s with a detached, androgynous image. Jones' sixth solo release overall, Living My Life, followed in 1982, while the singer took a break from recording to focus on film work and landed roles in such movies as Conan the Destroyer and the James Bond flick A View to a Kill.